Biography and Performing Venues:Colenton
Freeman continues to distinguish himself in an international career that began
with his professional debut in the premiere of John Eaton's THE
CRY OF CLYTEMNESTRA with the
San Francisco Opera. His European
debut was at the Hamburgische Staatsoper where, on short notice, he performed
the role of Don Jose in CARMEN:
A specialist in the Italian repertoire, his
Other
important early engagements have included a debut in Mexico City (Bellas Artes)
as Calaf in TURANDOT and a subsequent
engagement with Boston Concert Opera in the same role.
He sang the role of Enzo in LA
GIOCONDA with the Opera Orchestra of New York in their Young Artists'
performance as well as with the Lyric Opera of Chicago in a public dress
rehearsal. Mr. Freeman sang the
role of Cavaradossi in TOSCA with the
Boston Concert Opera and returned to the Opera Orchestra of New York to sing the
role of Froh in DAS RHEINGOLD.
As an orchestral and oratorio soloist, Mr. Freeman has distinguised himself in appearances with the Karlovy Vary Symphony (in the former Czechoslavakia), the Hamburg Symphony, the London Symphony Orchestra, the Atlanta Symphony, the New Orleans Symphony, the Indianapolis Symphony and the San Diego Symphony in which he worked with such conductors as Simon Rattle, Eve Queler and Garcia Navarro. The 1995-96 season included concerts with the Puerto Rico Symphony as tenor soloist in Mahler's Symphony No. 8 and as soloist with the Winterthur Stadtorchester in Switzerland. In the 1993-94 season, Mr. Freeman made his debut with the Radio Symphony Orchestra Belgium in Brussels and Antwerp. In one of the highlights of Mr. Freeman's career, he appeared as soloist in a Gala Concert in San Francisco with Leontyne Price, Placido Domingo, Birgit Nilsson and, as Master of Ceremonies, Merv Griffin. Solo recital and concert appearances include Weill Recital Hall (formerly Carnegie Recital Hall), Alice Tully Hall and Merkin Concert Hall, all in New York City. His festival appearances include Glyndebourne, Santa Fe, Wolf Trap, Usedom, Echternach (Luxemburg) and the Cincinnati May Festival.
Other performances included the title role in Schubert's FIERRABRAS at the opera in Dortmund, Germany; as tenor soloist in Beethoven's 9th Symphony with the Stockton Symphony in Stockton, CA and concerts in Pesaro, Marcerata and Urbania (Italy). The 1997-98 season began with performances as Riccardo in Verdi's UN BALLO IN MASCHERA at the Stadttheater Pforzheim and included concerts and recitals in Nürnberg, Freiburg, Frankfurt, Luxemburg, Flensburg, Berlin and at the Vaasa Music Festival in Finland. During the summer of 1998 Mr. Freeman made his debut at the Bregenz Opera Festival in the role of the Crabman in Gershwin's PORGY AND BESS. He was also the recipient of a Stipend from the Richard Wagner Society to attend the 1998 Bayreuth Opera Festival. Mr. Freeman‘s 1998-1999 schedule included a concert performance of the title role in Wagner's PARSIFAL (Act III) with the ARTS Serveis de Cultura Palma de Mallorca (Spain). The season of 2000-2001 Mr. Freeman was scheduled to sing 2 concert performances of Puccini’s „La Boheme“ with the world-renown Bamberg Symphony. Other performances this season includes the role of Sportin‘ Life in George Gershwin’s „Porgy and Bess“ with the Freiburg Philharmonic. Mr. Freeman sang the roles of Parsifal and Herod (Salome) in concert performances at the International Festival in Guadaloupe. This season of 2004 he will sing the role of Le Valet in the world premiere of Michael Lévinas’ new opera “Les Négres” with Opera Lyon. He will sing the same role with the Grand Théatre in Geneva in April/Mai 2004. In the summer of 2004 Mr. Freeman will also sing the travesty role of Arnalta in Monteverdi’s “L’incoronazione di Poppea” with the Stadttheater Giessen in Germany.
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Performing Venues:Opera
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